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Three works that trace a line from ballet's golden age to right now. Diamonds — the final act of Balanchine's Jewels — is pure imperial grandeur set to Tchaikovsky, the closest NYCB gets to the Mariinsky. In Memory of... is Robbins at his most emotionally raw, a quiet elegy that earns its silence. And Voices is Christopher Wheeldon at his most contemporary — fluid, physical, built for today's dancers. This is the program that shows why NYCB is both a museum and a laboratory.